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Miki X OPUS 1 @ Philharmonie Essen

SAMSTAG X MIKI X SINFONIEORCHESTER X CURSE CHIMA MEGALOH MOI 

I am so thankful that Miki brings this project to live again, it's been almost 4 years since
we first did it and still....when I look back there is no other  live project that created a momentum

comparable to this one. For me it was the start of a beautiful journey which lead me to start
working on my first album. Now in the midst of that process, I get the opportunity  to go
back on that stage, surrounded by a symphony orchestra and artist who are not only
an inspiration but my personal, musical and emotional support system,but people that became
family along the way...I don't know if it can get any better.

DURCHDREHEN DIES DAS X WER NICHT KOMMT VERPASST WAS X ICH SCHWÖR

It's almost sold out, go get your ticket like....NOW. 

SATURDAY, 25.2.12
PHILHARMONIE ESSEN

TICKETS


Of heartbreaks and hotels

 

You do you and I do me. From time to time we do each other.
I am not yours and you're not mine, we're just  permanently fuckin with each others mind.
It's weird but it's real
at times I fear what I feel, then again it's not that big a deal
and I have to smile about the situation - guard down, guard up in rotation.
Wondering if I only want, what's too far away
wondering if I only run, when someone tries to  stay,
wondering if I just can't admit, that I can't commit
and if that turns out to be the case, does it even matter ? Does it make it any better ?
Wanting one, losing another, hurting and loving by some means or other.
At a time and all the time. There 's nothings as tiring,
yet  nothing as inspiring.
At the end of the day I write it down and just walk my way
leaving the book half open, nipping deeper feelings in the bud
adding new stories, pages softly flipping - while endings and  beginnings become the plot
but how often can you do that to a heart until it finally breaks apart?
Is this the curse of our generation?
Being afraid to commit to a situation?
Be it a person, a job or a town
can't even commit to one single nailcolor (just to break it down)
Options are what matters, not establishing one becomes the pattern.
Traveling is our new home and the true adventurer travels alone
growing and experiencing while looking to find
the kind of love, that Hollywood or maybe Disney manifested in our minds
searching for something that has a real meaning to it
I love this life, but if I could be young in '68 instead of be born in '86 - I‘d do it
Instead of  anything worthwhile, we got a lifestyle,
we're not part of a movement, that revolution thing seems kinda through
we are more like I do me and you do you....ha!
and here i am , right where I've started
I think living and loving these days only make sense
if you do it on both sides of the fence
if you can manage the in between, then your grass might always be green
As for me and for that matter, this thing seems real
and even if it might be just for a while, I'll better, not let this experience pass me by
Now is the truth,  forever a lie.

picture taken from weheartit
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Future Deutsche Welle

PART I

#PHOTOSHOOTFRESH

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Stefan Strumbel Werkschau Berlin

 

Stefan Strumbel is definitely one of my favorite german artists.  If you're in Berlin you
should swing by the Circle Culture Gallery Pop Up at Alte Münze before the 10th of March
and check out his very thought provoking exhibition.


All confessions made under the influence of champaign and pink neon lights are
invalid by the way...

it's all in how you look at things.

 

"........"Remarkable view," announced the Humbug, bouncing from the car as if he were responsible for the whole thing. "Isn't it beautiful?" gasped Milo."Oh, I don't know," answered a strange voice. "It's all in the way you look at things.""I beg your pardon?" said Milo, for he didn't see who had spoken.

"I said it's all in how you look at things," repeated the voice. Milo turned around and found himself staring at two very neatly polished brown shoes, for standing directly in front of him (if you can use the word "standing" for anyone suspended in mid-air) was another boy just about his age, whose feet were easily three feet off the ground.

"For instance," continued the boy, "if you happened to like deserts, you might not think this was beautiful at all.""That's true," said the Humbug, who didn't like to contradict anyone whose feet were that far off the ground."For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered with tinsel, while the trees opened our presents.""What does that have to do with it?" asked Milo."Nothing at all," he answered, "but it's an interesting possibility, don't you think?""How do you manage to stand up there?" asked Milo, for this was the subject which most interested him."I was about to ask you a similar question," answered the boy, "for you must be much older than you look to be standing on the ground."
"What do you mean?" Milo asked.
"Well," said the boy, "in my family everyone is born in the air, with his head at exactly the height it's going to be when he's an adult, and then we all grow toward the ground. When we're fully grown up or, as you can see, grown down, our feet finally touch. Of course, there are a few of us whose feet never reach the ground no matter how old we get, but I suppose it's the same in every family."He hopped a few steps in the air, skipped back to where he started, and then began again.
"You certainly must be very old to have reached the ground already."
"Oh no," said Milo seriously. "In my family we all start on the ground and grow up, and we never know how far until we actually get there."
"What a silly system." The boy laughed. "Then your head keeps changing its height and you always see things in a different way? Why, when you're fifteen things won't look at all the way they did when you were ten, and at twenty everything will change again.""I suppose so," replied Milo, for he had never really thought about the matter."We always see things from the same angle," the boy continued. "It's much less trouble that way. Besides, it makes more sense to grow down and not up. When you're very young, you can never hurt yourself falling down if you're in mid-air, and you certainly can't get into trouble for scuffing up your shoes or marking the floor if there's nothing to scuff them on and the floor is three feet away."
"That's very true," thought Tock, who wondered how the dogs in the family liked the arrangement.
"But there are many other ways to look at things," remarked the boy. "For instance, you had orange juice, boiled eggs, toast and jam, and milk for breakfast," he said, turning to Milo. "And you are always worried about people wasting time," he said to Tock. "And you are almost never right about anything," he said, pointing at the Humbug, "and, when you are, it's usually an accident."
"A gross exaggeration," protested the furious bug, who didn't realize that so much was visible to the naked eye.
"Amazing," gasped Tock.
"How do you know all that?" asked Milo.
"Simple," he said proudly. "I'm Alec Bings; I see through things. I can see whatever is inside, behind, around, covered by, or subsequent to anything else. In fact, the only thing I can't see is whatever happens to be right in front of my nose."
"Isn't that a little inconvenient?" asked Milo, whose neck was becoming quite stiff from looking up.
"It is a little," replied Alec, "but it is quite important to know what lies behind things, and the family helps me take care of the rest. My father sees to things, my mother looks after things, my brother sees beyond things, my uncle sees the other side of every question, and my little sister Alice sees under things."
"How can she see under things if she's all the way up there?" growled the Humbug.
"Well," added Alec, turning a neat cartwheel, "whatever she can't see under, she overlooks."
"Would it be possible for me to see something from up there?" asked Milo politely.
"You could," said Alec, "but only if you try very hard to look at things as an adult does."
Milo tried as hard as he could, and, as he did, his feet floated slowly off the ground until he was standing in the air next to Alec Bings. He looked around very quickly and, an instant later, crashed back down to earth again.
"Interesting, wasn't it?" asked Alec.
"Yes, it was," agreed Milo, rubbing his head and dusting himself off, "but I think I'll continue to see things as a child. It's not so far to fall." "A wise decision, at least for the time being," said Alec. "Everyone should have his own point of view."
"Isn't this everyone's Point of View?" asked Tock, looking around curiously.
"Of course not," replied Alec, sitting himself down on nothing. "It's only mine, and you certainly can't always look at things from someone else's Point of View. For instance, from here that looks like a bucket of water," he said, pointing to a bucket of water; "but from an ant's point of view it's a vast ocean, from an elephant's just a cool drink, and to a fish, of course, it's home. So, you see, the way you see things depends a great deal on where you look at them from. Now, come along and I'll show you the rest of the forest."
He ran quickly through the air, stopping occasionally to beckon Milo, Tock, and the Humbug along, and they followed as well as anyone who had to stay on the ground could.
"Does everyone here grow the way you do?" puffed Milo when he had caught up.
"Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up toward the sky. But we do our best to discourage awkward things like that.""What happens to them?" insisted Milo.
"Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods."

 
Exerpt from "The Phantom Tollbooth" by Norton Juster
 
-YOU NEED TO GROW IN YOUR OWN WAY, IF YOU WANNA WALK AMONGST THE STARS-
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ON REPEAT.

WOW.

Awolnation-Sail

ich gruesse alle die ich kenne